Marissa and I just finished our march through all 10 seasons of Friends. I committed to watching the show about six months ago. I was hesitant at first. Being a devoted Seinfeld fan, the idea of making room in my heart for another pop sensation portrayal of regular people set in New York irked me. Ten seasons later, I am starting to assemble my doubts, critiques, musings for people without any meaningful hobbies to read (I kid – please don’t find any hobbies and continue reading). Between Seinfeld and Friends – which sitcom is supreme?
Seinfeld Remained Emotionally Sterile
One virtue that Seinfeld remained true to is that they never made you care about a character for longer than twenty minutes. Dating relationships among the gang rarely spanned longer than a short story arc, and even the ones that did never demanded any intellectual investment from the viewer.
Why is a bizarrely emotionally sterile universe a good thing? This gave the show watchability. The reason why Seinfeld reruns are the best kind of reruns is because the story doesn’t matter. There is no important context beyond the episode. What is the result? There is no important order to the seasons. Even the reoccurring characters can stand on their own in each episode. You don’t need to backtrack to understand Elaine’s boyfriend Putty is a numskull who barely redeems the relationship with raw physical attraction. There is no briefing required to understand that George’s fiance Susan is smarter than he is and pushes George into commitments that he is not mature enough for. It only takes a few seconds to learn everything you need to know about a character – whether it is their first appearance of fiftieth.
You can watch them in any order. There is no more tension in the middle of the season than there is in the end of the season. You are never required to take anything with you between episodes.
I felt Friends was weakest in this area. I would enjoy myself in the middle of seasons, but by the last few episodes of the season, there was too much contrived television tension to enjoy what was going on.
My favorite bit of irony in this fault was watching Joey ham it up in a laughable soap opera performance, then put on a similar performance in the show’s actual plot under the expectation that we are now supposed to take them all seriously.
I would imagine this comes from pressure on the writers. They just wanted to keep people interested in-between seasons. Consequently, they resorted to kitchy cliffhangers and sacrificed the emotional sterility championed by Seinfeld.
I would like to bring you to the pinnacle of Seinfeld’s strength. In the end of season 7, George’s fiance Susan suffers a bizarre death during wedding preparation. As the gang watches a stoic doctor give George the grave news, the show reaches a crossroad. The sitcom stared directly into the face of an emotional commitment. What do they do? Watch (sorry about the quality… I think this might be a bootleg of a bootleg).
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Exactly. They all just go out for coffee – and not because they want to help George get over it – but because they are all bored . Staring in the face of their first emotional story arc, the writer’s of Seinfeld bravely nod, turn on their heels, and go back down the mountain. Season 8 begins just like all the others with no trace of emotional scarring. Not even a death interrupted their rhythm.
The Finale of Friends was Fantastic
By far the greatest strength of Friends was the show’s finale. My greatest disappointment with Seinfeld was how in the last episode, too many things happened. There was no time to reflect on what had just happened over the last nine years. I have been saying for years – that all I wanted from the show’s finale was a silly plot, a slow pan over an empty apartment, and the ending credits. I’m confident that this won’t give away any spoilers, but this is ultimately exactly what Friends did with the last episode. I was jealous.
Honestly, the last episode of Seinfeld has been the most confusing thing in my life for a while now. It’s almost as if it was written by the people who submit jokes to Reader’s Digest.
Beyond the two biggest differences that jumped out at me, I have determined that the two are comparable. Seinfeld is still unshaken as the best sitcom in my little book, only because I have always been so impressed with its adherence to the rule of no emotion. I would further award the show Friends with being comparable. Saying you like Friends more than Seinfeld is something I would now consider valid English (as opposed to saying you prefer Family Guy).
But that’s just my opinion. If you have any special loyalty to one show or the other, I would be curious to hear why.